Then we escort Ingeborg Holm, blonde like Hans, whom Tonio f every last(predicate)s in love with ii years later at the age of sixteen. Tonio sees his love for Hans as silly when he falls in love with Ingeborg, only Hans and Ingeborg are very frequently alike---beautiful and able to live at ease in the world as it is. He sufers with Ingeborg as he possessed with Hans, but he is more than willing to suffer because love makes him feel "vital and rich" (85).
All the people Tonio loves and admires are pleasant in the world but they all live on the surface of life, compared with the depths of great joy and spite where Tonio lives. There is something "stupid" about them which makes them "loved" and "lovable" (86). On the other hand, a fille like Magdalena likes Tonio, but Tonio does not like her. Tonio only loves people who do not love him back. He only wants people who are completely assorted than he is, people he cannot have. He cannot live comfortable in the real world, but his inner life brings him more than pain: "For he was looking within, into himself, the theatre of so much pain and
Tonio still longs to be like Hans and Inge---"To begin again, to grow up like you, regular like you, simple and normal and cheerful, in conformity and grounds with God and composition, beloved of the innocent and happy" (126).
However, one girl in the party looks at him with longing, just as Magdalena had longed for him in the dancing class. He has no longing for the girl, just as he had had no longing for Magdalena.
He is as mesmerized as ever by the ones he cannot have and cannot ever be like---the normal, blonde, blue-eyed and beautiful Inge and Hans.
He takes a gravy h grey-headeder toward Denmark. He is troubled by memories of the "sad, rueful dreams" (115) and his visit to his old town. A young homo on the ship begins a conversation about the wonder of the stars. Tonio is amused by the man and feels superior to him at the same time: "Surely this man writes verses," Tonio thought, "business man's verses. overflowing of deep feeling and singlemindedness" (117).
Tonio cannot sleep that nighttime on ship. He feels seasick and is upset by the drift anbd his "sweet anticipations" (117). He goes up on deck. His heart is full as he looks out upon the turbulent sea and recalls his childishness love of the sea.
His love for Inge fades, and his philosophy of life becomes more dismiss: "He bore within himself the possibility of a green ways of life, together with the private conviction that they were all absolute impossibilities" (90).
But he can never have the pleasure of the commonplace. He can never live a normal life on the surface of existence.
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