The Life of Bruce Bairnsfather

1), cite his year of rescue as "1873." Despite the confusion surrounding his year of birth, to the highest degree agree upon September 29, 1959, as the date of death for the unmarried who General Sir Ian Hamilton called, "The man who won the war" (Holt and Holt[2], p. 2).

As a young boy, Bairns set about was educated in schools in both India and Britain. By all tales, the young man who would one day pass away a winnerful illustrator, playwright, and author, "proved a poor learner" (Holt and Holt[2], p. 1). When he finished with school at Stratford-upon-Avon, Bairnsfather joined his father in the British Army. Unlike his father, the young Bairnsfather discovered during his fourth dimension with the Royal Warwickshire Regiment that "army life was boring," and he left wing soon after enlisting (Bruce, p. 1).

Feeling that a phalanx career was not in the cards for him, Bairnsfather enrolled as an blind student at the John Hassall School of Art, where he ready he enjoyed illustration and had a knack for it. Once he completed his training at Hassall, Bairnsfather supported himself as an illustrator for advertisements. These advertisements have some of the most popular products of his era, including artworks he did for Lipton Tea, Player's Tobacco, and Flowers Beer (Bruce, p. 1). Despite his success in earning a living and even later in his career as an illustrator, Bairnsfather was never critically a

The life and career of Bruce Bairnsfather clearly exemplify the massive physical and emotional toll of WWI on British rescript and culture. Bairnsfather's experiences were not only similar to those of opposite private soldiers at the Front, but they were captured in his illustrations for time immemorial. If Bairnsfather's life and career launch anything, they demonstrate that Bairnsfather was a champion of the soldier and his ordeals in fend for his country. The condemnation of the Thiepval Memorial to the Missing offered by Bairnsfather, who believed the funds would be better spent on the surviving wounded of the War, foursquare showed where Bairnsfather's loyalties lay.

Though Bairnsfather would die in relative obscurity and poverty, the efforts of the Holt's to impinge on renewed recognition and appreciation of his contributions has been successful. In 1999, Bairnsfather took his place among other great illustrators like Giles, Illingworth and Strube, when his work was recognized in the " esteemed exhibition," A Century of Britain's Cartoons, (Holt and Holt[1], p. 2). Surely, there were few soldiers in WWI or their loved ones who withheld appreciation for the soldier, artist, and humanitarian who illustrated their plight and struggles with humor for the complete world to appreciate. The illustrations of Bairnsfather continue to be a firsthand account of life at the front during the "Great War" that changed a nation and paved the way for the final confrontation with fascism in World War II.

Bairnsfather, somewhat embittered by the treatment of reverting veterans following the war, often acted as their unofficial spokesman, and opposed the facial expression of the Menin Gate in Ypres in 1927.

While destiny in the trenches of the Western Front, Bairnsfather made the acquaintance of other war machine personnel who would also engage in artistic careers after the War, like Lieutenant A. A. Milne, creator of the eternally popular Winnie the Pooh series of cha
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