Money's Significant Role in A Doll's House

A fair sex in Nora's era had little opportunity for self-expression unless they did lead a mysterious existence as Nora does when she takes jobs to save money and forges her father's signature. So likewise they seldom enjoyed domestic harmony without acting in the mode prescribed for them by potent constructed, Victorian era norms and roles for women. In his preliminary notes to A Doll's House, Ibsen stated "A woman cannot be herself in contemporary society, it is an exclusively male society with laws drafted by men, and with counsel and judges who judge feminine conduct from the male point of view" (McFarlane 1970, 90).

Such male exclusivity also broad itself to the world of economicals. A woman's place was in the home and aim and wife were the boundaries of her social and domestic roles. Nora has passed from the hands of one overabundant male to another. In large measure, women of her era did not establish very much choice but to demand such roles if they anticipate to afford a invigoration for themselves and their children. In return for a husband who believes he has the right to tell her how to feel, think, and act, Nora receives food and sop up and social approval. She also per descriptors tricks for the delight of her husband and other males as a means of pleasing them to get what she wants. After pathetic from the dep polish offency on her father to the dependency on Torvald, Nora erstwhile again finds herself in a subservient po

Nora eventually cannot withstand the pressures of an home(a) life contrastive than the public persona she must maintain. She chooses to strike out on her own as an act of independence and self-expression. She will conduct a heavy cost, including the need to provide a living for herself, but she will be a free to discover her true and not some artificially imposed nature.

As Bradbrook (1946) comments, Nora's actions are extremely brave and courageous for a woman of her era for "She was putting herself outside society, inviting insult, destitution and loneliness. She went out into a very dark night" (87). Many women did not adopt such a course of action, preferring to prostitute themselves and lead airt lives as male "dolls" rather than risk dour economic prospects on their own.

sition in which she must sublimate her own desires for the pastime of her husband's. Economics confine her as much as embark on of her world of male domination. Nora sees this exchange as a form of prostitution. She has lived from hand to mouth, performed tricks for men, and sublimated her own desires for the sake of sustenance. Thus Nora leads an inner life in the midst of social confinement. She chastises Torvald at the end of the play for never trying to solicit her thoughts or ideas end-to-end their marriage, "During eight whole years, no more than that ever since the graduation day we met we have never exchanged so much as one serious word about serious things" (Ibsen 1972, 103). Money matters are among such "serious things", which is why Nora leads a secret inner existence while per
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